Illustration and Visual Narrative - Task 2: Decisive Movement

Illustration and Visual Narrative - Task 2: Decisive Movement

25/9/2023 - 22/11/2023 (Week 6 - Week 10)
GU QIANKUAN/ 0369385
Illustration and Visual Narrative / Bachelor of Design (Hons) in Creative Media / Taylor's University 
Task 2: Decisive Movement


1. LECTURES 

Other lecture notes were completed in Task 1: Exercises.

WEEK 7 (8/11/2023): COMPOSITION THEORY 3

Composition Theory 3/ Fore, Mid and Background
Composition used in the right way can take your art to the next level, and grab the audience's attention.
- Creating an effective sense of the space is very important.

Fig. 1.1 Different Types of Planes.

Design Flow
- Good arrangement of visual focus using foreground, middle-ground and background. 
- Also indicate a sense of movement and rhythm in the design.
- Designs with good flow will lead the viewers’ eye throughout the layout, moving from element to element with ease.
- To influence the way the viewer will digest the content.

Fig. 1.2 The Soloists is a dark comedy animation short produced by Gobelins (2021) using 2D/CG medium. 

WEEK 7 (8/11/2023): STORYTELLING BASICS & THREE-ACTS STRUCTURE

Storytelling basics
1. Central theme: The theme is the story's main idea or underlying meaning, often reflecting the storyteller's personal opinion on the subject matter, and may include both major and minor themes.
- Major Theme: An idea that is intertwined and repeated throughout the whole narrative. 
- Minor Theme: An idea that appears more subtly, and doesn’t necessarily repeat.
2. Conflict: Conflict drives a story, creating tension and suspense. Without it, the audience is uninterested and lacks a compelling narrative. Conflict engages the audience, keeping them eager to see the protagonists overcome obstacles.
3. Characters: A story usually includes a number of characters, each with a different role or purpose. Regardless of how many characters a story has, however, there is almost always a protagonist and antagonist.
Central Characters: These characters are vital to the development of the story. The plot revolves around them.
Protagonist: The protagonist is the main character of a story. They must command an emotional involvement from the audience.
Antagonist: Antagonists oppose protagonists, standing between them and their ultimate goals.

3-Acts Structure
1. Setup: The world in which the protagonist exists before the journey. The setup usually ends with the conflict being revealed.
2. Rising Tension: The series of obstacles the protagonist must overcome. Each obstacle is usually more difficult and with higher stakes than the previous one.
3. Conflict: The point of highest tension, and the major decisive turning point for the protagonist. Resolution: The conflict’s conclusion. This is where the protagonist finally overcomes the conflict, learns to accept it, or is ultimately defeated by it. Regardless, this is where the journey ends.

Fig. 1.3 Traditional three-acts structure chart (2018).
Source: https://blog.reedsy.com/guide/story-structure/three-act-structure/


3. EXERCISE: TRANSPARENCY GRADIENT AND NOISE (WEEK 7 - 8/11/2023)

4. RESEARCH (WEEK 6 - 1/11/2023)
4.1 INTRODUCTION TO URBAN LEGENDS

SKETCHES, RATIONALE, MOOD BOARD & STORYBOARD  (WEEK 7 - 8/11/2023)

7.1 SKETCHES

The first painting is about a crack girl when she was young, she was very sad when she found out that her boyfriend had greenhorned her to be with another girl




The second clip tells the story of a woman who is so distraught that she self-harms herself, causing her to die and become a cleft woman.



The third panel tells the story of her transformation into the Split Woman, who often seeks revenge on passers-by, usually asking them, "Do you think I'm beautiful?", and if you don't answer her, she will kill you.


. Kuchisake onna

口裂け女
くちさけおんな

Translation: slit-mouthed woman
Habitat: dimly-lit streets and alleys
Diet: none; though enjoys hard candy

Appearance: The kuchisake onna is the ghost of a woman who was mutilated and has come back to wreak vengeance on the world. Her name comes from the deep, bloody gash which runs across her face, grinning from ear to ear. She appears at night to lone travelers on the road, covering her grizzly mouth with a cloth mask, a fan, or a handkerchief.

Interactions: Kuchisake onna sneaks up on her victims in the dark and asks them if they think she is beautiful: “Watashi, kirei?” If the victim answers yes, she pulls off her mask and reveals a red, blood-dripping, grotesque mouth. Then she asks in a grisly voice if they still think she is beautiful: “Kore demo?” If her victim answers no or screams in terror, she slashes him from ear to ear in an imitation of her own mutilation. If he lies and answers yes a second time, she walks away—only to follow her target home and slaughter him brutally that night.

Origin: The spirits of the dead who were killed in particularly violent manners—abused wives, tortured captives, defeated enemies—often do not rest well. The kuchisake onna is thought to be one such woman. However, during the Edo period, a large number of kuchisake onna attacks were blamed on shape-changed kitsune playing pranks on young men. During the 20th century, the blame began to be placed on ghosts, serial killers, and simple mass hysteria. This resulted in an explosion of kuchisake onna sightings over Japan. Over the years, clever young people claim to have outsmarted kuchisake onna by delivering quick, confusing answers, or by throwing money or hard candy at them. This buys enough time to escape from the kuchisake onna’s wrath and lose her in the darkness.






7.3 MOOD BOARD (STYLE, COLOUR SCHEME & VISUAL DIRECTION)

Urban legends are like contemporary myths or folklore, tales whispered and shared in hushed tones, weaving through the fabric of modern society. They dance on the edges of truth, shrouded in mystery, horror, and sometimes even humor, transmitted through the intricate web of our various communication channels. These narratives touch upon a myriad of subjects—supernatural occurrences, fantastical creatures, and the lives of the illustrious—casting a spell on our collective imagination.

Supernatural events, with their ghosts, haunted spaces, miraculous interventions, and telekinetic wonders, transcend the boundaries of rational explanation. Rooted in cultural or religious traditions, these tales carry whispers of the paranormal, leaving an indelible mark on the psyche. Meanwhile, the realm of bizarre creatures, from majestic dragons and elusive unicorns to the enigmatic werewolves, populates the landscapes of mythology, folklore, and the realms of fantasy literature, painting the world with strokes of otherworldly hues.

Delving into the narrative structure, these stories unfold like delicate petals. The introduction sets the stage, offering a glimpse into the unknown, while the hook grabs











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